The next morning we assemble
early and again head south under threatening skies. We stop down
the road in Taupo for breakfast of scones and coffee, and outside
it begins to sprinkle. At
the bikes Jim struggles to pull rain gear over his leathers while
the rest of us have only to zip up our Aerostich and BMW suits. As
we ride out of town the rain becomes earnest. We plan to ride
around Lake Taupo before heading south for the coast and Nelson. Taupo
is New Zealand's largest lake and world famous for its excellent
fishing.
Twenty
miles later we're plodding along in heavy rain and looking
ahead at a solid wall of black thunderstorms along the south
shore. We hold a hasty roadside conference and decide to abandon
any attempt to ride further. We turn around and flee north and
east towards the coast. Somehow I've not gotten the Darien pants
sealed properly and I can feel cold wet seeping into my crotch,
and the pounding rain is wicking down inside the front of my
Darien jacket. As we ride my bike is buffeted by wind gusts from
the storm front. I click on the heated jacket and hunker down,
cold and miserable.
We're
fortunate and are soon out in front of the storm and riding in
sunshine. We race ahead of the weather across the Kaiangarora
Plains and into the rugged hill country north of Hawkes Bay and
Napier. I'm dry again and thankful that my Sidi totally waterproof
boots, are.
We pass through the outskirts of Napier, one of New Zealand's more
fascinating towns. Most of the city was knocked down in a violent
earthquake in 1931. More than 200 residents died in the quake and
the survivors camped on the beach for days while fire swept the
city.
When the
smoke cleared the undaunted city fathers promptly hired architects
to plan a new town. At
the time Art
Deco was the rage here in New Zealand as much as it was in
America, and the city was rebuilt almost totally in this popular
style. Napier is now considered as one of the best examples of Art
Deco architecture in the world. More so than any other place in
New Zealand, you would swear that in this little city by the sea
you have truly stepped through a window back 70 years in time.

Te Mata Overlook
We press
on south of Napier, stopping for lunch in the village of Havelock
North. Then we're off to search for the road to the Te Mata Peak
overlook, whose view Tom tells us is well worth the ride. It is.

Stress, stress, the stress of it all--John ,
Vicki, and Ron
 
Pavlova
Annabelle and
Matt
The afternoon is wearing on and we scramble to meet Al Walker in
the village of Waipawa (Smoky Waters) to receive directions to
tonight's farm stay. Matt, Harry, Dion, Bruce and I are scheduled
to be hosted at a sheep station a mile or so from the
village.
A word
about farm stays--it may seem a bit awkward moving as a complete
stranger into someone's home, but the Kiwis are so friendly and
open that in no time you're as comfortable as visiting a favorite
relative.
We arrive
at the farm to find our hostess Annabelle and the animals in the
driveway to greet us. We unload our gear, pack the fridge with
beer, and follow David our host on a tour of the farm. He is a
small spare man with the look of someone who has always been his
own boss. His pride shows in his eyes when he talks about his
farm.
Dinner at
the big table is family style and features, you guessed it--lamb.
Matt brings up an observation that he has made earlier in the day,
"Why do we not see any black sheep?" David
explains that it is easier to dye wool black than go to the
trouble of raising black sheep.
Dessert
is Pavlova (above), a traditional New Zealand whipped
meringue treat to die for, named to
honor the 1929 performance of the noted ballerina.
We use our host's PC to fire off email. Dion writes home to Reno
that "this farm has twenty thousand sheep and I've narrowed
my choice down to two, but can't make up my mind."
Before we
depart the following morning David and Annabelle show us the
wool shed where the annual sheep shearing is in progress.
Professional shearers work in small groups and move from farm to
farm during the
season. Two men are shearing. Each pulls a sheep into the shed
from an adjacent pen, flips the docile animal into position
clamped between the shearer's knees, and expertly guides an
electric cutter to peel away the wool, finishing off an animal in
not much over a minute. Then, with a swift backwards kick, the
shearer boots the shorn animal into a chute that ejects the dazed
creature into the yard outside. Matt says the process we're
watching "is rather like the relationship between the
government and the taxpayer".
As the
two men shear, three women gather and pack the wool into bags.
Even the smallest scrap is swept up to be made into felt. The work
is hard and the men sweat at the task even though it's cool in the
shed and we're comfortable watching in sweaters and jackets. There
are better ways to make a living.
We leave
David and Annabelle waving goodbye and ride off into a brisk wind,
headed today into Wellington, New Zealand's capital city. We've
planned a back roads route that takes us through rolling hills
dotted with sheep and the occasional farm. As the day progresses
we skirt rain showers and battle a rising wind. Matthew is just
ahead of me in the lead and each time I see him bobble I learn to
expect a gust a second later.
As we
start up the winding road into the Rimutaka mountains that ring
Wellington, the temperature falls and the wind picks up in
intensity and becomes turbulent as it is channeled down the
mountain canyons. We alternate between almost calm when
riding in the lee of a rock face, to suddenly being rocked by
violent gusts when the road again turns into the open canyon.
Rounding one curve Matt is buffeted so badly that it looks like
his bike almost stops. A moment later I'm also in the turbulence
wind, hanging on to the
weaving bike for dear life. The gusts are like a hand beating on
my chest and helmet. I've never ridden in wind as violent.
We battle
our way to the top of the pass and stop at a cafe I remember from
the trip in 2000. We park in the lee of the building for fear that
if left in the open the wind will blow over the bikes. Inside we
drip on the table as the balding middle aged proprietor pours hot
coffee and cheerily asks, "You fellows having fun"?
He tells us it's the wettest, coldest, and wildest spring in
memory. Still stunned from the ride up the hill we thaw our numb
fingers on the warm cups, while outside the rain is blowing
sideways.
We take advantage of a break in the rain and start down the hill.
Below the crest the winds begin to diminish and the remainder of
the ride into urban Wellington traffic becomes more pleasant. The
Able Tasman Hotel is conveniently located downtown, a quick shot
off the motorway. Happy to be at the end of a long and tiring day
we stash the bikes in the basement garage and cram into a tiny
elevator for the ride to the lobby. We learn at the desk that
everyone else is in safely, but during the day Bruce's F650
clipped the rear of Tom's R1150GS, slightly damaging both bikes.
Tom is unhurt but Bruce required a hospital visit.

Tom overlooking Wellington Harbor
We find
Bruce upstairs propped up in bed, glassy eyed from pain pills and
being tended by Al. Bruce's left leg took the full force of the
collision and, while not broken, is badly swollen and ugly
looking. To our surprise and fortunately for Bruce, we learn that
Al Walker is a trained nurse. The no travel day tomorrow will give
Bruce a break to recover. After that if he's not able to ride Al
will load Bruce and his bike into the van.
Plans for
dinner develop into a spirited discussion, with part of our group
suggesting Chinese while others would prefer a good fish and chips
shop. We start a walking search of the neighborhood and within
three blocks of the hotel we see a hole-in-the-wall Chinese food
place with a fish and chips sign in the window. Both are great and
we will eat there again the next evening.
Good
weather for the free day in Wellington and several of the group
ride north to visit a car museum. I elect to spend the day in town
and visit the National Museum. John Paul is also headed
there and tells me he has tickets for the Royal New Zealand Ballet
that evening.
Wellington is compact city and one can walk almost anywhere in the
downtown area in 30 minutes or less. As John Paul and I wait to
cross the street to the museum entrance, Matthew rides by and
waves.
Te Papa, the
National Museum, is world class. After an hour of tramping the
four floors of exhibits I retreat to the museum coffee bar and,
with a hot cup in hand, sink into a deep leather chair positioned
for the best view of the cafe's centerpiece, one of John Britten's
stunning V-1000 motorcycles. The fluid lines, vivid colors, and
dramatic artistic details of the bike bespeak Britten's background
as a glass blower and artist. Respected as a work of art, this
beautiful motorcycle is also a seriously fast machine, and its
creator is held in esteem by his countrymen as a national hero.
Our last
evening in Wellington Tom and Al have arranged a bus tour of the
city, and even Bruce hobbles on for the ride. The next morning we
form up in the street and parade to the inter-island ferry that
will take us and the bikes across Cook Strait to the South Island.
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